Yes, I’m pretty deep into the shooter genre mode right now, having just passed 75,000 words on the first draft of Lex Talionis, but I’m going to digress for a little, to explore a thought I had while sitting in the “Death Is The Least Of Your Worries: Writing Lovecraftian Fiction” panel at LTUE. The panelists agreed (and so would I) that the nature of Lovecraft’s horror lay in the confrontation of unfathomable powers which barely noticed human beings. You might get squished along the way, but it was hit or miss as to whether the monster actually noticed you in the process. A vital part of the Cthulhu Mythos is mankind’s insignificance, and helplessness, in the face of the chaotic forces that rule the cosmos. You can try to fight Cthulhu, but it won’t end well for you. Granted, this is not entirely a hard and fast rule even within the (admittedly broad) confines of the Mythos itself. Brian Lumley’s Titus Crow bests a few eldritch abominations, and no less towering a figure than Conan the Cimmerian (Howard was a regular correspondent with Lovecraft) banished a few to whatever weird dimension they’d come from with a powerful stroke of
At long last, The Walker on the Hills is live, for Kindle, Nook, and iBooks. Paperback can be ordered, but is taking longer than anticipated; Createspace is being slow, probably due to the proximity of Christmas. I’m kind of proud of this one; I think it’s the strongest of the series to date. It’s certainly the longest. There’s a lot going on, and a few hints of things to come for those who are paying attention. The Kindle can be found here, with the Nook version here.