So, James Rosone, the author of the World War III, Red Storm, and now the Second American Civil War series (why yes, we write about very similar stuff), has put together a group promo on Bookfunnel for the 4th of July. James and I write similar stuff, and he offered to bring a bunch of other thriller authors on board. Since I just ran a KDP Countdown on Escalation, and I’m currently working on outlining Brannigan’s Blackhearts #7, I threw Kill Yuan in there. So, if you haven’t picked that one up (it seems like quite a few people haven’t, since it was originally a complete stand-alone), you can get the ebook this week for only $0.99! And you can add the Audible version (yes, this is one of two of my books on audio; if more people buy it, I might be able to get some more done) for free when you buy the ebook. A twofer! A Warrior Without A War Slowly Dies But a warrior looking for a war should be careful what he wishes for. Dan Tackett feels like he’s on a downward spiral, and has been ever since his wife died. But he should have known that
What’s the difference? In reality, less than one might think. In general, I think, the “Action Adventure” genre, as exemplified (and coined) by Don Pendleton’s Executioner series, which spawned multiple spinoffs and inspired others (there is actually a flashback in SOBs #3, Butchers of Eden, in which Col. Barrabas remembers a night fighting back to back in Vietnam with Sgt. Mack Bolan), has generally been looked down upon as cheap, poorly-done “pulp,” with even less merit than comic books. “Techno-thrillers,” ostensibly started by Tom Clancy with The Hunt for Red October, are considered better quality and more realistic, though still sneered at by the literati (I had a high-school English teacher speak dismissively of Clancy as “pop-lit.”).
Well, after a 4057-word day, the first draft of Lex Talionis is done. Finally. This thing is a beast. It is the longest book I’ve written to date, topping the final draft of Hunting in the Shadows by over 13,000 words, weighing in at 161,860 words. And that’s before editing, where a draft usually gains a couple thousand words. But there were a lot of threads to tie up in this one. It’s brutal, it’s bleak, but I think it’s a fitting end to the series. There are parts that were quite uncomfortable to write, and probably will be a bit uncomfortable to read. It is a cautionary tale in many ways, as the tagline, “War and Politics Have Consequences” should probably tell you. I’m going to take a couple of days to let the gray matter rebound, and then it’s into editing. I’ve got thirty days to get this monster ready to go.